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		<title>La Teoria delle Ombre &#187; shutov assembly</title>
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		<title>Lamonte Young &#8211; Il Pianoforte Ben Intonato</title>
		<link>http://lateoriadelleombre.org/2011/08/11/lamonte-young-il-pianoforte-ben-intonato/</link>
		<comments>http://lateoriadelleombre.org/2011/08/11/lamonte-young-il-pianoforte-ben-intonato/#comments</comments>
		<pubDate>Thu, 11 Aug 2011 08:00:41 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
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		<category><![CDATA[noises]]></category>
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		<category><![CDATA[shutov assembly]]></category>
		<category><![CDATA[slow design]]></category>
		<category><![CDATA[visioni]]></category>

		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=3663</guid>
		<description><![CDATA[I tre parametri musicali su cui i compositori investigano sono Tempo, Tono e Timbro. Sono parametri comuni ad ogni epoca, in ogni luogo sulla terra, a monte di qualunque sentimento nazionale, romantico o illuminista, che definiscono la sostanza stessa di cui la musica è fatta, nel suo processo di apparizione mondana, nel suo svolgersi formale [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=3663&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Laura Sheeran &#8211; Lust of Pig &amp; the Fresh Blood &#8211; 2011</title>
		<link>http://lateoriadelleombre.org/2011/05/21/laura-sheeran-lust-of-pig-the-fresh-blood-2011/</link>
		<comments>http://lateoriadelleombre.org/2011/05/21/laura-sheeran-lust-of-pig-the-fresh-blood-2011/#comments</comments>
		<pubDate>Sat, 21 May 2011 17:15:33 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[corde]]></category>
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		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[shutov assembly]]></category>
		<category><![CDATA[slow design]]></category>
		<category><![CDATA[suono sacro]]></category>

		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=3503</guid>
		<description><![CDATA[Ci sono zone, nella nostra geografia mentale, cariche di risonanze indecifrabili. Luoghi in cui la definizione del panorama è vaga, leggera come polvere che attraversa le dimensioni. In questi luoghi, che la mente crea anche suo malgrado, le categorie ordinarie sono sospese, rese ambigue da una nuova percettibile leggerezza, che contribuisce a legami chimici insoliti, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=3503&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Michael Stearns &#8211; Encounter &#8211; 1988</title>
		<link>http://lateoriadelleombre.org/2011/01/21/michael-stearns-encounter-1988/</link>
		<comments>http://lateoriadelleombre.org/2011/01/21/michael-stearns-encounter-1988/#comments</comments>
		<pubDate>Fri, 21 Jan 2011 07:25:42 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[discipline]]></category>
		<category><![CDATA[elettronica]]></category>
		<category><![CDATA[epistemologia]]></category>
		<category><![CDATA[ingegneria]]></category>
		<category><![CDATA[materiali d'aria]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[puntillismo]]></category>
		<category><![CDATA[shutov assembly]]></category>

		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=2906</guid>
		<description><![CDATA[Irrisolvibile la diatriba che vede opposti i conservatori e gli innovatori, in musica. Mentre la stampa specializzata ancora registra difficoltà da parte del pubblico pagante, che a tutt&#8217;oggi deve misurarsi con la secessione viennese e con le dissonanze &#8220;moderne&#8221;, andrebbe forse tutto spostato su quella inevitabile disparità che si trova tra un compositore e l&#8217;altro, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=2906&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2011/01/21/michael-stearns-encounter-1988/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>Frontier &#8211; Robert Scott Thompson &#8211; 1998</title>
		<link>http://lateoriadelleombre.org/2011/01/01/frontier-robert-scott-thompson-1998/</link>
		<comments>http://lateoriadelleombre.org/2011/01/01/frontier-robert-scott-thompson-1998/#comments</comments>
		<pubDate>Sat, 01 Jan 2011 07:31:25 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[elettronica]]></category>
		<category><![CDATA[hejira]]></category>
		<category><![CDATA[materiali d'aria]]></category>
		<category><![CDATA[metaphisique]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[puntillismo]]></category>
		<category><![CDATA[shutov assembly]]></category>
		<category><![CDATA[slow design]]></category>
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		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=2855</guid>
		<description><![CDATA[Ama addentrarsi in una dimensione colossale, il signor Robert Scott Thompson, mentre il soffio del suo iperstrumento rende esemplare il sentimento più mercuriale del nuovo millennio. Riassume intatto il motivo principale che queste composizioni esigono, questo lavoro, proprio mentre ne precisa il vocabolario, con una pulizia e competenza che non sono sempre obbligatorie, ma che [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=2855&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Brian Eno &#8211; Small Craft On A Milk Sea &#8211; 2010</title>
		<link>http://lateoriadelleombre.org/2010/11/06/small-craft-on-a-milk-sea-brian-eno-2010/</link>
		<comments>http://lateoriadelleombre.org/2010/11/06/small-craft-on-a-milk-sea-brian-eno-2010/#comments</comments>
		<pubDate>Sat, 06 Nov 2010 09:35:31 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[bitches brew]]></category>
		<category><![CDATA[elettronica]]></category>
		<category><![CDATA[epistemologia]]></category>
		<category><![CDATA[hejira]]></category>
		<category><![CDATA[ingegneria]]></category>
		<category><![CDATA[microritmi]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[noises]]></category>
		<category><![CDATA[puntillismo]]></category>
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		<category><![CDATA[visioni]]></category>

		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=2702</guid>
		<description><![CDATA[Potrebbe essere ingannevole il termine antiromantico per descrivere quest&#8217;impresa, perchè questa tempera aliena da qualunque orizzonte dogmatico, questa coincidenza intensamente spirituale e materiale insieme di tinte organizzate in musica, questi paesaggi sfuggenti veduti come da una nave che costeggia continenti ignoti, terre incognite e promettenti si scambia facilmente per romanticheria. C&#8217;è talmente tanto di una [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=2702&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2010/11/06/small-craft-on-a-milk-sea-brian-eno-2010/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Style: &#34;leo-01&#34;</media:title>
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		<title>Un Eloquente Silenzio</title>
		<link>http://lateoriadelleombre.org/2010/08/20/un-eloquente-silenzio/</link>
		<comments>http://lateoriadelleombre.org/2010/08/20/un-eloquente-silenzio/#comments</comments>
		<pubDate>Fri, 20 Aug 2010 08:40:56 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[corde]]></category>
		<category><![CDATA[indiscipline]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[noises]]></category>
		<category><![CDATA[radio]]></category>
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		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=2556</guid>
		<description><![CDATA[Mi trovo davanti ad un silenzioso prato estivo. La linea degli alberi mi protegge dal mondo che non conosco, perchè la mia sottile agorafobia mi porta a privilegiare le aree contenute in questo modo, se non proprio gli spazi chiusi o (come desidererei nei miei sogni) quelli sotterranei. E&#8217; un sentimento perfetto quello che provo [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=2556&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Swarm of Drones &#8211; 1995</title>
		<link>http://lateoriadelleombre.org/2010/06/10/swarm-of-drones-1995/</link>
		<comments>http://lateoriadelleombre.org/2010/06/10/swarm-of-drones-1995/#comments</comments>
		<pubDate>Thu, 10 Jun 2010 04:38:57 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[bitches brew]]></category>
		<category><![CDATA[elettronica]]></category>
		<category><![CDATA[materiali d'aria]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[noises]]></category>
		<category><![CDATA[shutov assembly]]></category>

		<guid isPermaLink="false">http://remitur.wordpress.com/2007/06/02/swarm-of-drones-1995/</guid>
		<description><![CDATA[Nella geografia della descrizione ambientale sonora, questo è un buon atlante di percorsi segreti. Michael Redolfi, Steve Roach, Vidna Obmana e Robert Rich sono alcuni dei maggiori teorici nella definizione di queste mappe, che ci permettono di attraversare un mondo che per molti aspetti è più reale di quello che intendiamo. Se vogliamo immaginare le [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=93&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Substrata &#8211; Biosphere – 1997</title>
		<link>http://lateoriadelleombre.org/2010/05/08/biosphere/</link>
		<comments>http://lateoriadelleombre.org/2010/05/08/biosphere/#comments</comments>
		<pubDate>Sat, 08 May 2010 03:09:09 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[elettronica]]></category>
		<category><![CDATA[materiali d'aria]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[noises]]></category>
		<category><![CDATA[shutov assembly]]></category>
		<category><![CDATA[spazi]]></category>

		<guid isPermaLink="false">http://remitur.wordpress.com/2007/05/25/biosphere/</guid>
		<description><![CDATA[Biosphere, la creatura nictalope di Geir Jennsen, genera Substrata dopo un lungo silenzio, a rimarcare la profonda gestazione ideologica che lo ha prodotto. L&#8217;abbandono delle percussioni e delle sequenze ritmiche rende possibile, per questo Norvegese isolato e insonne, la stesura di un oggetto cardine nella definizione del suono nordeuropeo contemporaneo. Mi piacerebbe, in questa serie &#8220;rumorista&#8221;, investigare [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=81&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2010/05/08/biosphere/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
	
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		<title>Soil – Terre Thaemlitz – 1995</title>
		<link>http://lateoriadelleombre.org/2010/05/03/thaemlitz/</link>
		<comments>http://lateoriadelleombre.org/2010/05/03/thaemlitz/#comments</comments>
		<pubDate>Mon, 03 May 2010 03:32:18 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[elettronica]]></category>
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		<guid isPermaLink="false">http://remitur.wordpress.com/2007/05/30/thaemlitz/</guid>
		<description><![CDATA[When a resonance arises among accidents, perception and conceptualization we can place the process of our morphodynamical maps of reality, we realize a competence gain: we acquire a meaning, a comprehension. Giancarlo Toniutti Space as a cultural substratum in Site of Sound: of architecture and the ear La comprensione, il rendere proprio lo spazio in [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=85&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>the River of Appearance – Vidna Obmana – 1996</title>
		<link>http://lateoriadelleombre.org/2010/05/02/the-river-of-appereance-vidna-obmana/</link>
		<comments>http://lateoriadelleombre.org/2010/05/02/the-river-of-appereance-vidna-obmana/#comments</comments>
		<pubDate>Sun, 02 May 2010 08:49:40 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[air materials]]></category>
		<category><![CDATA[elettronica]]></category>
		<category><![CDATA[epistemologia]]></category>
		<category><![CDATA[materiali d'aria]]></category>
		<category><![CDATA[metaphisique]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[modi di visione]]></category>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[shutov assembly]]></category>
		<category><![CDATA[slow design]]></category>

		<guid isPermaLink="false">http://remitur.wordpress.com/2008/10/22/the-river-of-appereance-vidna-obmana/</guid>
		<description><![CDATA[Quando Dirk Serries, il nostro avventuriero delle terre basse, decide che è tempo di occuparsi delle strutture più aeree, riesce anche a fare meglio di qualunque suo conterraneo pratico di luci speciali, delle infinite serate estive così come delle lunghe notti invernali. Riesce a suggerire lo splendore di un orizzonte tremante, di acque azzurre ed [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=856&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2010/05/02/the-river-of-appereance-vidna-obmana/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
	
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		<title>The Promises of Silence &#8211; 1993</title>
		<link>http://lateoriadelleombre.org/2010/03/24/deepnet-1996/</link>
		<comments>http://lateoriadelleombre.org/2010/03/24/deepnet-1996/#comments</comments>
		<pubDate>Wed, 24 Mar 2010 08:51:41 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[elettronica]]></category>
		<category><![CDATA[epistemologia]]></category>
		<category><![CDATA[ingegneria]]></category>
		<category><![CDATA[shutov assembly]]></category>

		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=2154</guid>
		<description><![CDATA[Spesso le raccolte, volute da curatori che presiedono alla direzione artistica di etichette impegnatissime nella ricerca, contengono tesori inottenibili in altro modo. Proprio nella insolita sequenza degli eventi, autori apparentemente poco connessi si svelano nella loro familiarità, consistenza, compatibilità. Di certo è questo il caso, emerso dagli sforzi di Stefano Musso, presente qui in forme [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=2154&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2010/03/24/deepnet-1996/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>Brian Eno &#8211; On Land &#8211; 1982</title>
		<link>http://lateoriadelleombre.org/2009/11/30/on-land/</link>
		<comments>http://lateoriadelleombre.org/2009/11/30/on-land/#comments</comments>
		<pubDate>Mon, 30 Nov 2009 10:00:23 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[elettronica]]></category>
		<category><![CDATA[materiali d'aria]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[puntillismo]]></category>
		<category><![CDATA[shutov assembly]]></category>
		<category><![CDATA[spazi]]></category>
		<category><![CDATA[visioni]]></category>

		<guid isPermaLink="false">http://remitur.wordpress.com/2007/05/09/on-land/</guid>
		<description><![CDATA[&#160; Là, tout n&#8217;est qu&#8217;ordre et beauté, Luxe, calme et volupté. — Charles Baudelaire Niente affatto astratto, questo lavoro è in realtà molto fedele al suo titolo, terrestre e materiale. Un disco amato e conosciuto e probabilmente pochissimo compreso. Non naturalistico ma onirico nel senso di incosciente radicamento nell&#8217;esistente, benchè privo di una qualunque memoria [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=48&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2009/11/30/on-land/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
	
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			<media:title type="html">produzionintuitive</media:title>
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			<media:title type="html">eno-on-land-800</media:title>
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			<media:title type="html">Brian_Eno_Long_Now_Foundation</media:title>
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		<item>
		<title>Brian Eno &#8211; David Byrne &#8211; My Life in the Bush of Ghosts &#8211; 1980</title>
		<link>http://lateoriadelleombre.org/2009/11/18/57/</link>
		<comments>http://lateoriadelleombre.org/2009/11/18/57/#comments</comments>
		<pubDate>Wed, 18 Nov 2009 02:54:22 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[bitches brew]]></category>
		<category><![CDATA[elettronica]]></category>
		<category><![CDATA[indiscipline]]></category>
		<category><![CDATA[materiali d'aria]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[noises]]></category>
		<category><![CDATA[shutov assembly]]></category>
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		<category><![CDATA[visioni]]></category>

		<guid isPermaLink="false">http://remitur.wordpress.com/2007/05/16/57/</guid>
		<description><![CDATA[Il conforto e la compiacenza del comportamento meccanico, garantito e riproducibile perciò affidabile e &#8220;professionale&#8221;, ci conduce fuori dalle aree dell&#8217;umanità creativa e ricreativa, chè le attività umane si svolgono in un azzardo che solo garantisce la presenza della vita (oso dirlo?) autentica. Anche se gli equivoci e le distorsioni sono molte, sono due gli impulsi [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=57&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2009/11/18/57/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
	
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			<media:title type="html">produzionintuitive</media:title>
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		<media:content url="http://remitur.files.wordpress.com/2009/11/img533.jpg" medium="image">
			<media:title type="html">My Life in the Bush of Ghosts</media:title>
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		<media:content url="http://remitur.files.wordpress.com/2009/11/img541.jpg" medium="image">
			<media:title type="html">Remain in Light</media:title>
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			<media:title type="html">EnoByrne1_dannyclinch-1[1]</media:title>
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		<title>The Unforgettable Fire &#8211; U2 &#8211; 1984</title>
		<link>http://lateoriadelleombre.org/2009/10/02/the-unforgettable-fire-u2-1984-2/</link>
		<comments>http://lateoriadelleombre.org/2009/10/02/the-unforgettable-fire-u2-1984-2/#comments</comments>
		<pubDate>Fri, 02 Oct 2009 11:25:49 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[corde]]></category>
		<category><![CDATA[hejira]]></category>
		<category><![CDATA[metaphisique]]></category>
		<category><![CDATA[modi di visione]]></category>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[shutov assembly]]></category>
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		<category><![CDATA[visioni]]></category>

		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=1633</guid>
		<description><![CDATA[Il mio incanto adolescenziale non ha mai previsto il Rock. Nel 1974, per esempio, quella struttura merceologica era in mano a scafatissimi personaggi che l&#8217;amministravano come pretesto a traffici tanto illegali quanto strumentali al controllo delle masse, tanto interessanti per la mia personale evoluzione interiore quanto le corse automobilistiche, o i quiz televisivi e i [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=1633&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2009/10/02/the-unforgettable-fire-u2-1984-2/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
	
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		<media:content url="http://remitur.files.wordpress.com/2009/11/img532.jpg" medium="image">
			<media:title type="html">Un Fuoco Indimenticabile</media:title>
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			<media:title type="html">utwo</media:title>
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			<media:title type="html">Bono from The Edge</media:title>
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		<title>Last Night the Moon Came Dropping its Clothes in the Street &#8211; Jon Hassell &#8211; 2009</title>
		<link>http://lateoriadelleombre.org/2009/09/09/last-night-the-moon-came-dropping-its-clothes-in-the-street-jon-hassell-2009/</link>
		<comments>http://lateoriadelleombre.org/2009/09/09/last-night-the-moon-came-dropping-its-clothes-in-the-street-jon-hassell-2009/#comments</comments>
		<pubDate>Wed, 09 Sep 2009 07:01:50 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[bitches brew]]></category>
		<category><![CDATA[epistemologia]]></category>
		<category><![CDATA[materiali d'aria]]></category>
		<category><![CDATA[metaphisique]]></category>
		<category><![CDATA[microritmi]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[shutov assembly]]></category>
		<category><![CDATA[slow design]]></category>
		<category><![CDATA[spazi]]></category>
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		<guid isPermaLink="false">http://remitur.wordpress.com/2009/08/31/last-night-the-moon-came-dropping-its-clothes-in-the-street-jon-hassell-2009/</guid>
		<description><![CDATA[Miles Davis in Bitches Brew, quarant&#8217;anni fa, ha reso note le coordinate, le rotte ed i riferimenti per chiunque volesse intraprendere il viaggio verso il futuro. Ne ha definito le strutture, affidandone la esecuzione a personaggi di competenza mescolata, di capacita&#8217; variabile, come si trovano in qualunque mondo in formazione. Miles ha organizzato un suono amalgamato, duttile, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=1520&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2009/09/09/last-night-the-moon-came-dropping-its-clothes-in-the-street-jon-hassell-2009/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
	
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			<media:title type="html">produzionintuitive</media:title>
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		<title>Silence, Night &amp; Dreams &#8211; Zbigniew Preisner &#8211; 2007</title>
		<link>http://lateoriadelleombre.org/2009/09/04/silence-night-dreams-zbigniew-preisner-2007/</link>
		<comments>http://lateoriadelleombre.org/2009/09/04/silence-night-dreams-zbigniew-preisner-2007/#comments</comments>
		<pubDate>Fri, 04 Sep 2009 06:02:31 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[discipline]]></category>
		<category><![CDATA[immagine sacra]]></category>
		<category><![CDATA[metaphisique]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[modi di visione]]></category>
		<category><![CDATA[shutov assembly]]></category>
		<category><![CDATA[slow design]]></category>
		<category><![CDATA[suono sacro]]></category>

		<guid isPermaLink="false">http://remitur.wordpress.com/2009/08/28/silence-night-dreams-zbigniew-preisner-2007/</guid>
		<description><![CDATA[Ogni definizione di &#8220;musica classica&#8221; è discriminatoria. La musica, prodotta e realizzata, diventa classica per consenso, per acclamazione quasi. Sua unica prerogativa è venir eseguita, al di là dei tempi e degli spazi che le sono proprii, in una perpetuzione che la pone in un luogo speciale. Nessuno stile, e mi permetto una digressione sulla [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=1504&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2009/09/04/silence-night-dreams-zbigniew-preisner-2007/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">produzionintuitive</media:title>
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		<title>Contact Notes &#8211; Jon Hopkins &#8211; 2004</title>
		<link>http://lateoriadelleombre.org/2009/08/31/contact-notes-jon-hopkins-2004/</link>
		<comments>http://lateoriadelleombre.org/2009/08/31/contact-notes-jon-hopkins-2004/#comments</comments>
		<pubDate>Mon, 31 Aug 2009 06:30:39 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[air materials]]></category>
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		<guid isPermaLink="false">http://remitur.wordpress.com/2009/08/27/contact-notes-jon-hopkins-2004/</guid>
		<description><![CDATA[Perchè, ci si potrebbe chiedere, talenti così compatti e chiari, capaci di tale e tanta espressività, oltre che di consapevolezza della direzione da prendere, emergono così spesso dalla terra d&#8217;Albione? Una rete strutturale di conservazione dei costumi locali, un buon sistema educativo musicale, ottime scuole di economia e management. Tutte cose chiaramente esistenti, almeno nel [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=1470&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html">produzionintuitive</media:title>
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		<title>Exactly Where You Are (Right Now)</title>
		<link>http://lateoriadelleombre.org/2009/08/27/exactly-where-you-are-right-now/</link>
		<comments>http://lateoriadelleombre.org/2009/08/27/exactly-where-you-are-right-now/#comments</comments>
		<pubDate>Thu, 27 Aug 2009 05:24:36 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[corde]]></category>
		<category><![CDATA[discipline]]></category>
		<category><![CDATA[elettronica]]></category>
		<category><![CDATA[epistemologia]]></category>
		<category><![CDATA[hejira]]></category>
		<category><![CDATA[ingegneria]]></category>
		<category><![CDATA[materiali d'aria]]></category>
		<category><![CDATA[microritmi]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[modi di visione]]></category>
		<category><![CDATA[noises]]></category>
		<category><![CDATA[radio]]></category>
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		<category><![CDATA[slow design]]></category>
		<category><![CDATA[spazi]]></category>
		<category><![CDATA[televisione]]></category>
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		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=1419</guid>
		<description><![CDATA[Per me Laurie Anderson rappresenta davvero l&#8217;ingresso in una età adulta accettabile, serena e praticabile. L&#8217;ordine intellettuale applicato a movenze funky, pregne di humour quanto basta per rendere sopportabile ogni spasmo cerebrale, ogni musica difficile. Costei incarna la perfetta insegnante, l&#8217;indispensabile commentatrice antropologica, l&#8217;ideale istrione da palco, con buona pace di ogni mio impulso giovanilista. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=1419&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>The Orb&#8217;s Adventure beyond the Ultraworld &#8211; 1991</title>
		<link>http://lateoriadelleombre.org/2009/04/24/the-orbs-adventure-beyond-the-ultraworld-1991/</link>
		<comments>http://lateoriadelleombre.org/2009/04/24/the-orbs-adventure-beyond-the-ultraworld-1991/#comments</comments>
		<pubDate>Fri, 24 Apr 2009 05:49:39 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[elettronica]]></category>
		<category><![CDATA[indiscipline]]></category>
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		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[noises]]></category>
		<category><![CDATA[shutov assembly]]></category>
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		<guid isPermaLink="false">http://remitur.wordpress.com/2007/05/24/the-orbs-adventure-beyond-the-ultraworld-1991/</guid>
		<description><![CDATA[Alla fine degli anni ottanta i non-musicisti avevano preso il sopravvento nella produzione di musica da ballare. Nei Clubs di tutto il mondo imperavano figure nuove, i discendenti dei diskjockey, che attraverso l&#8217;esperienza rap in cui rivestivano spesso il ruolo di amministratori unici del beat avevano conquistato fama ed autorevolezza. L&#8217;analisi è semplice: se la totalità [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=80&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html">produzionintuitive</media:title>
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		<title>Glyph &#8211; Harold Budd Hector Zazou 2001</title>
		<link>http://lateoriadelleombre.org/2008/09/23/glyph-harold-budd-hector-zazou/</link>
		<comments>http://lateoriadelleombre.org/2008/09/23/glyph-harold-budd-hector-zazou/#comments</comments>
		<pubDate>Tue, 23 Sep 2008 08:48:48 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
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		<guid isPermaLink="false">http://remitur.wordpress.com/2008/10/22/glyph-harold-budd-hector-zazou/</guid>
		<description><![CDATA[Una elegantissima esibizione di finezza, da parte di un duo di cospiratori a cui affiderei l&#8217;intera prossima orbita solare attraverso le profondità del cosmo. Mi chiedo se abbiamo, noi navigatori cosmogonici, i mezzi per toccare la materia psicogeografica di cui questi oggetti sono fatti. Mi chiedo se la memoria di un tale costrutto può essere, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=854&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>2</slash:comments>
	
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			<media:title type="html">produzionintuitive</media:title>
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