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	<title>La Teoria delle Ombre &#187; puntillismo</title>
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		<title>La Teoria delle Ombre &#187; puntillismo</title>
		<link>http://lateoriadelleombre.org</link>
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		<title>Lamonte Young &#8211; Il Pianoforte Ben Intonato</title>
		<link>http://lateoriadelleombre.org/2011/08/11/lamonte-young-il-pianoforte-ben-intonato/</link>
		<comments>http://lateoriadelleombre.org/2011/08/11/lamonte-young-il-pianoforte-ben-intonato/#comments</comments>
		<pubDate>Thu, 11 Aug 2011 08:00:41 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[air materials]]></category>
		<category><![CDATA[corde]]></category>
		<category><![CDATA[discipline]]></category>
		<category><![CDATA[elettronica]]></category>
		<category><![CDATA[epistemologia]]></category>
		<category><![CDATA[immagine sacra]]></category>
		<category><![CDATA[ingegneria]]></category>
		<category><![CDATA[microritmi]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[noises]]></category>
		<category><![CDATA[puntillismo]]></category>
		<category><![CDATA[shutov assembly]]></category>
		<category><![CDATA[slow design]]></category>
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		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=3663</guid>
		<description><![CDATA[I tre parametri musicali su cui i compositori investigano sono Tempo, Tono e Timbro. Sono parametri comuni ad ogni epoca, in ogni luogo sulla terra, a monte di qualunque sentimento nazionale, romantico o illuminista, che definiscono la sostanza stessa di cui la musica è fatta, nel suo processo di apparizione mondana, nel suo svolgersi formale [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=3663&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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		<title>Harry Partch &#8211; La Genesi di una Musica</title>
		<link>http://lateoriadelleombre.org/2011/08/09/harry-partch-la-genesi-di-una-musica/</link>
		<comments>http://lateoriadelleombre.org/2011/08/09/harry-partch-la-genesi-di-una-musica/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 09:07:48 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[corde]]></category>
		<category><![CDATA[discipline]]></category>
		<category><![CDATA[hejira]]></category>
		<category><![CDATA[indiscipline]]></category>
		<category><![CDATA[ingegneria]]></category>
		<category><![CDATA[microritmi]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[noises]]></category>
		<category><![CDATA[puntillismo]]></category>
		<category><![CDATA[slow design]]></category>
		<category><![CDATA[visioni]]></category>

		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=3672</guid>
		<description><![CDATA[Crescere negli Stati Uniti del sud ovest, all&#8217;alba del xx secolo, essendo figlio di due ex missionari scappati dalla rivoluzione dei boxer in Cina, non contribuisce affatto ad una intelligenza adatta alle istituzioni musicali, nè a qualunque altra ipotesi istituzionale, in effetti. Di sicuro una infanzia nelle remote cittadine d&#8217;Arizona e Nuovo Messico, ascoltando canzoni [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=3672&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2011/08/09/harry-partch-la-genesi-di-una-musica/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>Michael Stearns &#8211; Encounter &#8211; 1988</title>
		<link>http://lateoriadelleombre.org/2011/01/21/michael-stearns-encounter-1988/</link>
		<comments>http://lateoriadelleombre.org/2011/01/21/michael-stearns-encounter-1988/#comments</comments>
		<pubDate>Fri, 21 Jan 2011 07:25:42 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[discipline]]></category>
		<category><![CDATA[elettronica]]></category>
		<category><![CDATA[epistemologia]]></category>
		<category><![CDATA[ingegneria]]></category>
		<category><![CDATA[materiali d'aria]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[puntillismo]]></category>
		<category><![CDATA[shutov assembly]]></category>

		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=2906</guid>
		<description><![CDATA[Irrisolvibile la diatriba che vede opposti i conservatori e gli innovatori, in musica. Mentre la stampa specializzata ancora registra difficoltà da parte del pubblico pagante, che a tutt&#8217;oggi deve misurarsi con la secessione viennese e con le dissonanze &#8220;moderne&#8221;, andrebbe forse tutto spostato su quella inevitabile disparità che si trova tra un compositore e l&#8217;altro, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=2906&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2011/01/21/michael-stearns-encounter-1988/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">4440404190_325d751412_b</media:title>
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		<title>Frontier &#8211; Robert Scott Thompson &#8211; 1998</title>
		<link>http://lateoriadelleombre.org/2011/01/01/frontier-robert-scott-thompson-1998/</link>
		<comments>http://lateoriadelleombre.org/2011/01/01/frontier-robert-scott-thompson-1998/#comments</comments>
		<pubDate>Sat, 01 Jan 2011 07:31:25 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[elettronica]]></category>
		<category><![CDATA[hejira]]></category>
		<category><![CDATA[materiali d'aria]]></category>
		<category><![CDATA[metaphisique]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[puntillismo]]></category>
		<category><![CDATA[shutov assembly]]></category>
		<category><![CDATA[slow design]]></category>
		<category><![CDATA[visioni]]></category>

		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=2855</guid>
		<description><![CDATA[Ama addentrarsi in una dimensione colossale, il signor Robert Scott Thompson, mentre il soffio del suo iperstrumento rende esemplare il sentimento più mercuriale del nuovo millennio. Riassume intatto il motivo principale che queste composizioni esigono, questo lavoro, proprio mentre ne precisa il vocabolario, con una pulizia e competenza che non sono sempre obbligatorie, ma che [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=2855&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2011/01/01/frontier-robert-scott-thompson-1998/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>Brian Eno &#8211; Small Craft On A Milk Sea &#8211; 2010</title>
		<link>http://lateoriadelleombre.org/2010/11/06/small-craft-on-a-milk-sea-brian-eno-2010/</link>
		<comments>http://lateoriadelleombre.org/2010/11/06/small-craft-on-a-milk-sea-brian-eno-2010/#comments</comments>
		<pubDate>Sat, 06 Nov 2010 09:35:31 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[bitches brew]]></category>
		<category><![CDATA[elettronica]]></category>
		<category><![CDATA[epistemologia]]></category>
		<category><![CDATA[hejira]]></category>
		<category><![CDATA[ingegneria]]></category>
		<category><![CDATA[microritmi]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[noises]]></category>
		<category><![CDATA[puntillismo]]></category>
		<category><![CDATA[shutov assembly]]></category>
		<category><![CDATA[spazi]]></category>
		<category><![CDATA[visioni]]></category>

		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=2702</guid>
		<description><![CDATA[Potrebbe essere ingannevole il termine antiromantico per descrivere quest&#8217;impresa, perchè questa tempera aliena da qualunque orizzonte dogmatico, questa coincidenza intensamente spirituale e materiale insieme di tinte organizzate in musica, questi paesaggi sfuggenti veduti come da una nave che costeggia continenti ignoti, terre incognite e promettenti si scambia facilmente per romanticheria. C&#8217;è talmente tanto di una [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=2702&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2010/11/06/small-craft-on-a-milk-sea-brian-eno-2010/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Style: &#34;leo-01&#34;</media:title>
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		<title>Neil Young &#8211; Le Noise &#8211; 2010</title>
		<link>http://lateoriadelleombre.org/2010/10/14/neil-young-le-noise-2010/</link>
		<comments>http://lateoriadelleombre.org/2010/10/14/neil-young-le-noise-2010/#comments</comments>
		<pubDate>Thu, 14 Oct 2010 08:16:08 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[elettronica]]></category>
		<category><![CDATA[hejira]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[modi di visione]]></category>
		<category><![CDATA[noises]]></category>
		<category><![CDATA[puntillismo]]></category>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[spazi]]></category>

		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=2644</guid>
		<description><![CDATA[E&#8217; un disco bellissimo questo qui, come qualunque appassionato si aspetta. Questo vecchio e ricchissimo hippy sembra ancora sapere perfettamente il fatto suo, nonostante l&#8217;evidente perdita di salute e di entusiasmo, e continua a organizzare raccolte di canzoni completamente rilevanti. Ma è anche un disco importante, mentre se ne esce in un tempo carico di [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=2644&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2010/10/14/neil-young-le-noise-2010/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Neil-Young-Le-Noise</media:title>
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		<item>
		<title>Giovanni Sollima &#8211; Works &#8211; 2005</title>
		<link>http://lateoriadelleombre.org/2010/09/19/giovanni-sollima-works-2005/</link>
		<comments>http://lateoriadelleombre.org/2010/09/19/giovanni-sollima-works-2005/#comments</comments>
		<pubDate>Sun, 19 Sep 2010 05:51:32 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[ingegneria]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[puntillismo]]></category>
		<category><![CDATA[visioni]]></category>

		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=2597</guid>
		<description><![CDATA[Questa musicalissima nazione è praticamente priva di una struttura in cui allevare tale qualità sonora. Anche in questo senso siamo stati un esempio per il mondo che ci segue volentieri. Queste equazioni benedette collimano perfettamente con il viavai quotidiano che si è preso, peraltro senza vantarsene, il posto della musica. Esempio ideale di vita, di [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=2597&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2010/09/19/giovanni-sollima-works-2005/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>Land of the midnight sun – Wendy Carlos – 1986</title>
		<link>http://lateoriadelleombre.org/2010/08/15/sonic-seasonings-2/</link>
		<comments>http://lateoriadelleombre.org/2010/08/15/sonic-seasonings-2/#comments</comments>
		<pubDate>Sun, 15 Aug 2010 11:32:35 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[discipline]]></category>
		<category><![CDATA[elettronica]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[puntillismo]]></category>

		<guid isPermaLink="false">http://remitur.wordpress.com/2008/09/03/sonic-seasonings-2/</guid>
		<description><![CDATA[All’intersezione diretta tra la costruzione del suono e quella della luce, qui si trova la questione di cui questo lavoro è la risposta. È un lavoro minore, nel curriculum dell’autrice, quasi uno studio preparatorio, realizzato com mezzi estemporanei, che intendeva preludere a qualcosa che fosse più di una semplice meditazione. Quella di questa donna è [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=554&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>3</slash:comments>
	
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		<title>Englabörn – Jóhann Jóhannsson – 2002</title>
		<link>http://lateoriadelleombre.org/2010/04/15/johann-johannsson-englaborn-2002/</link>
		<comments>http://lateoriadelleombre.org/2010/04/15/johann-johannsson-englaborn-2002/#comments</comments>
		<pubDate>Thu, 15 Apr 2010 08:49:07 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[air materials]]></category>
		<category><![CDATA[corde]]></category>
		<category><![CDATA[discipline]]></category>
		<category><![CDATA[puntillismo]]></category>

		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=2233</guid>
		<description><![CDATA[Delizioso, questo modo che Jóhann Jóhannsson ha di porgere una musica da camera irrilevante, indistinta, del tutto aerea. Le piccole sfaccettature di luce nordica di cui si occupa hanno una serenità interna tanto importante quanto la loro forza. Musica per adulti che sanno comportarsi come bambini, questa, esempio di una civiltà superiore e matura. Nessuna [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=2233&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2010/04/15/johann-johannsson-englaborn-2002/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>Jon Balke/Amina Alaoui &#8211; Siwan &#8211; 2009</title>
		<link>http://lateoriadelleombre.org/2010/02/17/siwan/</link>
		<comments>http://lateoriadelleombre.org/2010/02/17/siwan/#comments</comments>
		<pubDate>Wed, 17 Feb 2010 10:25:54 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[corde]]></category>
		<category><![CDATA[discipline]]></category>
		<category><![CDATA[epistemologia]]></category>
		<category><![CDATA[puntillismo]]></category>

		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=2060</guid>
		<description><![CDATA[De paz y de piedad Era la ciencia perfecta En profunda soledad Entendi, via recta Era cosa tan secreta Que me quedé balbuciendo Toda ciencia trascendiendo. San Juan de la Cruz 1584 Come si fa ad immaginare uno statement più positivo, autorevole e completo di questo? Credo che Balke non abbia intenti religiosi, non più [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=2060&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2010/02/17/siwan/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>Miles Davis &#8211; Bitches Brew &#8211; 1970</title>
		<link>http://lateoriadelleombre.org/2009/12/12/miles-davis-bitches-brew-1970/</link>
		<comments>http://lateoriadelleombre.org/2009/12/12/miles-davis-bitches-brew-1970/#comments</comments>
		<pubDate>Sat, 12 Dec 2009 10:34:30 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[bitches brew]]></category>
		<category><![CDATA[elettronica]]></category>
		<category><![CDATA[materiali d'aria]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[noises]]></category>
		<category><![CDATA[puntillismo]]></category>
		<category><![CDATA[suono sacro]]></category>
		<category><![CDATA[visioni]]></category>

		<guid isPermaLink="false">http://remitur.wordpress.com/2007/05/08/miles-davis-bitches-brew-1970/</guid>
		<description><![CDATA[Certo quando sei stato nello stesso quintetto di Charlie Parker e di John Coltrane, prima di chiunque altro, puoi avere delle difficoltà a misurarti con un suono Nuovo. Lo standard qualitativo dei dischi di Miles Davis è sconvolgentemente alto, forse non soltanto per merito suo, e restare a quell&#8217;altezza mentre le decadi si avvicendavano poteva [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=44&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>4</slash:comments>
	
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		<title>Discipline &#8211; King Crimson &#8211; 1981</title>
		<link>http://lateoriadelleombre.org/2009/12/08/discipline/</link>
		<comments>http://lateoriadelleombre.org/2009/12/08/discipline/#comments</comments>
		<pubDate>Tue, 08 Dec 2009 09:20:04 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[corde]]></category>
		<category><![CDATA[discipline]]></category>
		<category><![CDATA[elettronica]]></category>
		<category><![CDATA[epistemologia]]></category>
		<category><![CDATA[indiscipline]]></category>
		<category><![CDATA[ingegneria]]></category>
		<category><![CDATA[materiali d'aria]]></category>
		<category><![CDATA[puntillismo]]></category>
		<category><![CDATA[suono sacro]]></category>

		<guid isPermaLink="false">http://remitur.wordpress.com/2007/05/11/discipline/</guid>
		<description><![CDATA[La musica potrebbe in qualche maniera sussistere anche senza l’esistenza dell’universo. Arthur Schopenhauer, “Parerga e paralipomena” Un&#8217;impresa indicare quanti oggetti innovativi contiene questo disco, dal punto di vista politico, etico, morale, perfino musicale. Uscito nell&#8217;ultimo periodo in cui è esistita una qualunque industria musicale degna di questo nome, in cui cioè il valore musicale fosse [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=50&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2009/12/08/discipline/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>Brian Eno &#8211; On Land &#8211; 1982</title>
		<link>http://lateoriadelleombre.org/2009/11/30/on-land/</link>
		<comments>http://lateoriadelleombre.org/2009/11/30/on-land/#comments</comments>
		<pubDate>Mon, 30 Nov 2009 10:00:23 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[elettronica]]></category>
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		<category><![CDATA[microsuoni]]></category>
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		<guid isPermaLink="false">http://remitur.wordpress.com/2007/05/09/on-land/</guid>
		<description><![CDATA[&#160; Là, tout n&#8217;est qu&#8217;ordre et beauté, Luxe, calme et volupté. — Charles Baudelaire Niente affatto astratto, questo lavoro è in realtà molto fedele al suo titolo, terrestre e materiale. Un disco amato e conosciuto e probabilmente pochissimo compreso. Non naturalistico ma onirico nel senso di incosciente radicamento nell&#8217;esistente, benchè privo di una qualunque memoria [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=48&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2009/11/30/on-land/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
	
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		<title>Brilliant Trees &#8211; David Sylvian &#8211; 1984</title>
		<link>http://lateoriadelleombre.org/2009/11/22/brilliant-trees-david-sylvian-1984/</link>
		<comments>http://lateoriadelleombre.org/2009/11/22/brilliant-trees-david-sylvian-1984/#comments</comments>
		<pubDate>Sun, 22 Nov 2009 12:56:25 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[elettronica]]></category>
		<category><![CDATA[hejira]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[noises]]></category>
		<category><![CDATA[puntillismo]]></category>
		<category><![CDATA[radio]]></category>
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		<guid isPermaLink="false">http://lateoriadelleombre.org/?p=1696</guid>
		<description><![CDATA[E&#8217; un sopravvissuto, David Sylvian, passato attraverso l&#8217;inferno stilistico degli anni ottanta peggiori, censito ed accettato come il più bello dei cantanti, e non deve essere stato facile emanciparsi da quelle follie. Ma il suo era un buon gruppo fin dall&#8217;inizio, le trappole del marketing non lo distrussero, i suoi compagni valevano e anche loro [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=1696&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2009/11/22/brilliant-trees-david-sylvian-1984/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Brilliant Trees</media:title>
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			<media:title type="html">David+Sylvian++Robert+Fripp</media:title>
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		<title>Symphony No.3 &#8211; Henryk Gorecky &#8211; 1976</title>
		<link>http://lateoriadelleombre.org/2009/09/11/symphony-no-3-henryk-gorecky-1976/</link>
		<comments>http://lateoriadelleombre.org/2009/09/11/symphony-no-3-henryk-gorecky-1976/#comments</comments>
		<pubDate>Fri, 11 Sep 2009 07:07:51 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[air materials]]></category>
		<category><![CDATA[discipline]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[modi di visione]]></category>
		<category><![CDATA[puntillismo]]></category>
		<category><![CDATA[spazi]]></category>
		<category><![CDATA[suono sacro]]></category>
		<category><![CDATA[visioni]]></category>

		<guid isPermaLink="false">http://remitur.wordpress.com/2009/08/31/symphony-no-3-henryk-gorecky-1976/</guid>
		<description><![CDATA[Era così clamorosamente retrogrado, &#8220;reazionario&#8221;, Henryk Gorecky nel 1976, che tutti i suoi colleghi lo prendevano in giro, mentre noi eravamo tutti indaffarati a fare i conti con Stockhausen, con Nono. Questa eterea sinfonia, nel frattempo, si è diffusa come l&#8217;aria in tutto il mondo, amatissima ed ascoltatissima. Buffo come anche in musica ci siano [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=1523&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Glyph &#8211; Harold Budd Hector Zazou 2001</title>
		<link>http://lateoriadelleombre.org/2008/09/23/glyph-harold-budd-hector-zazou/</link>
		<comments>http://lateoriadelleombre.org/2008/09/23/glyph-harold-budd-hector-zazou/#comments</comments>
		<pubDate>Tue, 23 Sep 2008 08:48:48 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[air materials]]></category>
		<category><![CDATA[corde]]></category>
		<category><![CDATA[elettronica]]></category>
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		<category><![CDATA[microritmi]]></category>
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		<category><![CDATA[slow design]]></category>

		<guid isPermaLink="false">http://remitur.wordpress.com/2008/10/22/glyph-harold-budd-hector-zazou/</guid>
		<description><![CDATA[Una elegantissima esibizione di finezza, da parte di un duo di cospiratori a cui affiderei l&#8217;intera prossima orbita solare attraverso le profondità del cosmo. Mi chiedo se abbiamo, noi navigatori cosmogonici, i mezzi per toccare la materia psicogeografica di cui questi oggetti sono fatti. Mi chiedo se la memoria di un tale costrutto può essere, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=854&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2008/09/23/glyph-harold-budd-hector-zazou/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
	
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		<title>&#8230;Smile&#8217;s OK &#8211; The Hope Blister 1998</title>
		<link>http://lateoriadelleombre.org/2008/09/11/the-hope-blister-smiles-ok/</link>
		<comments>http://lateoriadelleombre.org/2008/09/11/the-hope-blister-smiles-ok/#comments</comments>
		<pubDate>Thu, 11 Sep 2008 08:47:54 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[corde]]></category>
		<category><![CDATA[elettronica]]></category>
		<category><![CDATA[materiali d'aria]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[modi di visione]]></category>
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		<category><![CDATA[radio]]></category>
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		<guid isPermaLink="false">http://remitur.wordpress.com/2008/10/22/the-hope-blister-smiles-ok/</guid>
		<description><![CDATA[Quel gran genio di Ivo Russell-Watts per conto mio dovrebbe controllare la Universal, capace com&#8217;è di intuire le potenzialità ricreative ma anche commerciali di una formidabile canzone accidentalmente dimenticata. Potrebbe forse convincerci tutti che in queste distese di immondizia sono nascoste pietre dure di bellezza inestimabile. Però si limita a farlo dalla sua nicchia speciale, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=853&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://lateoriadelleombre.org/2008/09/11/the-hope-blister-smiles-ok/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<title>Michael Brook – Hybrid &#8211; 1985</title>
		<link>http://lateoriadelleombre.org/2008/07/19/hello-world/</link>
		<comments>http://lateoriadelleombre.org/2008/07/19/hello-world/#comments</comments>
		<pubDate>Sat, 19 Jul 2008 04:45:08 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[bitches brew]]></category>
		<category><![CDATA[discipline]]></category>
		<category><![CDATA[elettronica]]></category>
		<category><![CDATA[ingegneria]]></category>
		<category><![CDATA[materiali d'aria]]></category>
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		<category><![CDATA[noises]]></category>
		<category><![CDATA[puntillismo]]></category>
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		<category><![CDATA[visioni]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Quando tentiamo di immaginare noi stessi immersi in una tradizione molte trappole emergono: affidarsi ad un sistema consolidato e rassicurante significa spesso privarsi dell’elemento fondamentale per la vita, l’azzardo. Nell’opera di Michael Brook non c’è molto spazio per la nozione rinascimentale della composizione, il suo suono emerge dall’incessante fiorire di un organismo che sembra non [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=1&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>3</slash:comments>
	
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		<title>Iannis Xenakis &#8211; Un Moto Browniano</title>
		<link>http://lateoriadelleombre.org/2008/04/12/iannis-xenakis-un-moto-browniano/</link>
		<comments>http://lateoriadelleombre.org/2008/04/12/iannis-xenakis-un-moto-browniano/#comments</comments>
		<pubDate>Sat, 12 Apr 2008 14:10:06 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[elettronica]]></category>
		<category><![CDATA[epistemologia]]></category>
		<category><![CDATA[ingegneria]]></category>
		<category><![CDATA[microritmi]]></category>
		<category><![CDATA[modi d'ascolto]]></category>
		<category><![CDATA[modi di visione]]></category>
		<category><![CDATA[noises]]></category>
		<category><![CDATA[puntillismo]]></category>

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		<description><![CDATA[L&#8217;illuminata indicazione di Olivier Messiaen, a cui Xenakis aveva richiesto conforti sulla propria educazione musicale, secondo lui da ricostruire, fu chiara ed esplicita: Seguire le sue proprie inclinazioni all&#8217;architettura, alla speciale matematica già sperimentata nella sua pratica quotidiana, alle sue origini greche. Tutto questo fece scaturire, in questo insolito ed eclettico compositore, le qualità che [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=1034&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Steve Reich&#8217;s City life &#8211; 1995</title>
		<link>http://lateoriadelleombre.org/2008/03/14/steve-reichs-city-life-1995/</link>
		<comments>http://lateoriadelleombre.org/2008/03/14/steve-reichs-city-life-1995/#comments</comments>
		<pubDate>Thu, 13 Mar 2008 13:04:18 +0000</pubDate>
		<dc:creator>aarontsaba</dc:creator>
				<category><![CDATA[discipline]]></category>
		<category><![CDATA[ingegneria]]></category>
		<category><![CDATA[materiali d'aria]]></category>
		<category><![CDATA[microritmi]]></category>
		<category><![CDATA[microsuoni]]></category>
		<category><![CDATA[modi di visione]]></category>
		<category><![CDATA[puntillismo]]></category>
		<category><![CDATA[visioni]]></category>

		<guid isPermaLink="false">http://remitur.wordpress.com/2008/03/14/steve-reichs-city-life-1995/</guid>
		<description><![CDATA[Sono sempre un po&#8217; disorientato quando scopro quanto sono trascurati i nostri, in questo caso sono un po&#8217; supponente forse, compositori migliori. Questo splendido lavoro girato in strada, in sala, nello studio privato di Steve Reich a Manhattan sarebbe sufficiente ad incuriosire anche il più resistente degli ascoltatori casuali. Non mi voglio certo spiegare tutto [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lateoriadelleombre.org&amp;blog=959673&amp;post=350&amp;subd=remitur&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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